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nuevo espacio de fisioterapia OTIUM diseño de la interiorsta NEUS CASADEMONT de iNNteriors situado en Girona.
Pipe bowl Date: Early-mid 20th century Maker: Shilluk peoples Medium: Ceramic, pigment Subjects: hyena Dimensions: H x W x D: 15.2 x 6 x 12.1 cm (6 x 2 3/8 x 4 3/4 in.) Credit Line: Bequest of Eliot Elisofon Geography: South Sudan This pipe bowl, which is in the form of a hyena, was collected in 1947 in Malakal, Sudan. A tall bamboo stem with a gourd mouthpiece was fitted over the tail to filter the tobacco smoke.
Date: Mid 20th century Maker: Guro peoples Medium: Wood, paint Subjects: foreigner, Mami Wata, musical instrument, snake Dimensions: H x W x D: 54 x 28.6 x 17 cm (21 1/4 x 11 1/4 x 6 11/16 in.) Credit Line: Bequest of Eliot Elisofon Geography: Côte d'Ivoire The Mami Wata figure testifies to the dynamism and creativity with which Africans respond to imported ideas and images. Mami Wata is recognized today by diverse peoples throughout Africa as a powerful water spirit. Her origins can be traced to a late-19th-century German lithograph of a female snake charmer, which appeared in an Indian calendar that circulated widely in western and central Africa. Interested Africans scrutinized the snake charmer's image and invested it with new meaning and a new identity: Mami Wata. They linked her great beauty and foreignness to powers that could provide them protection and wealth in an increasingly precarious world. Mami Wata devotees established shrines in her honor and developed a corpus of ritual knowledge, practice and visual art, which varies from region to region. This mask from Cote d'Ivoire copies directly from the original lithograph--the upraised, closed left hand, the heavy, black, parted hair and the position of the snake poised over Mami Wata's head. A distinctive feature of this mask is that it includes a small figure of a horn player charming a snake. In the original lithograph, this figure is pictured in a diamond-shaped inset.
“De un trazo, damos vida a un lenguaje de líneas, las ordenamos y surge el diseño. De un espacio, hacemos una caja, donde la presencia de una insinuante y tenue iluminación, da paso a la presentación de nuestra obra: un juego de líneas hecho escultura. La mesa.” Un comedor de diseño.
“De un trazo, damos vida a un lenguaje de líneas, las ordenamos y surge el diseño. De un espacio, hacemos una caja, donde la presencia de una insinuante y tenue iluminación, da paso a la presentación de nuestra obra: un juego de líneas hecho escultura. La mesa.” Un comedor de diseño.
Una preciosa escultura que te muestra una escena muy familiar
Work Andras Lapis
Steve Jobs, at the Graphisoft Park in the third district of Budapest, after the inaugurating ceremony organized by a Hungarian Graphisopt SE for the Apple’s legendary founder. The almost two-metre-high (6.5-foot) bronze statue by Hungarian sculptor Erno Toth depicts Jobs with his trademark turtleneck jumper, jeans, sneakers and round glasses. It was erected in a science park that hosts several IT companies, including Graphisoft, which Apple has supported since 1984 when Jobs saw it at the annual CEBIT expo in Hannover, Germany, according to the Hungarian company.
En un salón, uno de los principales elementos que nunca ha de faltar son los centros de mesa. Os proponemos esta composición de centro de mesa, una ánfora mediana, la Narbona Especial que como veis da un toque totalmente diferente al salón. ¿Qué os parece esta composición?
Margaritas en primavera
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